He continues up … He continues up chromatically and then head back down the Eb mixolydian scale, landing on the #4 (or b5, depending on how you look at it). Now the whole line so far looks like this (use your ears for the rhythm, here are the notes: Eb-D-Db-C-Bb-Ab-G-Eb-E-F-Db-C-Bb-A. Actually, I’ll ume you play tenor and do the transposition. In this case, the song is in F and the line is:F-E-Eb-D-C-Bb-A-F-F#-G-Eb-D-C-B. He uses F mixolydian and uses #4 and natural seven for more “outside” sounds. Also blues.
I recommend … I recommend transcribing. After time, things like this become easy to hear. But if you’re having trouble, here’s whats going on (I’m talking concert pitch cuz I don’t know if you play tenor or alto or what, I’m transcribing on guitar, you can do the transposition) The song is in Eb (mixolydian mainly) and at 2:32 he plays down that scale with a natural 7th passing tone (D) like this Eb-D-Db-C-Bb-Ab-G-Eb. The Bb lands on the down beat. I’ll continue in another post.
yeah he’s pretty … yeah he’s pretty much amazingness. its just that i’ve seen other videos of him doing this song, and on this one the last note is different.
I’d like to improv … I’d like to improv in this style..can anyone give me some pointers on those scales at 1:32? And the other similar 16th note patters? Where can I learn these?
I was in the … I was in the audience in Zurich, Switzerland in the mid 80’s, the series was called “Jazz-In” for Swiss TV. I was lucky enough to watch rehearsals too. A local musician (this time Francis Colleta on guitar) was allowed to put his dream band together and in 2 days they would put together a set of live music. I got to meet Joe Sample and Alex Acuna, both very friendly, Tom Scott was a real ballbuster to Wolfgang Schmid (b)….thanks so much for posting this - any more of the same show?
He continues up …
He continues up chromatically and then head back down the Eb mixolydian scale, landing on the #4 (or b5, depending on how you look at it). Now the whole line so far looks like this (use your ears for the rhythm, here are the notes: Eb-D-Db-C-Bb-Ab-G-Eb-E-F-Db-C-Bb-A. Actually, I’ll ume you play tenor and do the transposition. In this case, the song is in F and the line is:F-E-Eb-D-C-Bb-A-F-F#-G-Eb-D-C-B. He uses F mixolydian and uses #4 and natural seven for more “outside” sounds. Also blues.
I recommend …
I recommend transcribing. After time, things like this become easy to hear. But if you’re having trouble, here’s whats going on (I’m talking concert pitch cuz I don’t know if you play tenor or alto or what, I’m transcribing on guitar, you can do the transposition) The song is in Eb (mixolydian mainly) and at 2:32 he plays down that scale with a natural 7th passing tone (D) like this Eb-D-Db-C-Bb-Ab-G-Eb. The Bb lands on the down beat. I’ll continue in another post.
yeah he’s pretty …
yeah he’s pretty much amazingness. its just that i’ve seen other videos of him doing this song, and on this one the last note is different.
Oh - and I didn’t …
Oh - and I didn’t hear him miss a thing. He hears it, he plays it.
Tom’s a master. Not …
Tom’s a master. Not many like him. I’m not a great fan of the idiom but I can listen to Tom anytime. The BEST!
Try to use yours …
Try to use yours ears, i bet you can fix it!
Man, he’s got a …
Man, he’s got a groovin sound. sounds almost like lenny pickett in all honesty
I’d like to improv …
I’d like to improv in this style..can anyone give me some pointers on those scales at 1:32? And the other similar 16th note patters? Where can I learn these?
Maybe because he …
Maybe because he had blowing his lungs out for the six minutes.
lovin the sax solo, …
lovin the sax solo, but it’s funny how he messed up the last “A” he played.
I was in the …
I was in the audience in Zurich, Switzerland in the mid 80’s, the series was called “Jazz-In” for Swiss TV. I was lucky enough to watch rehearsals too. A local musician (this time Francis Colleta on guitar) was allowed to put his dream band together and in 2 days they would put together a set of live music. I got to meet Joe Sample and Alex Acuna, both very friendly, Tom Scott was a real ballbuster to Wolfgang Schmid (b)….thanks so much for posting this - any more of the same show?
In 1983 on the …
In 1983 on the digitally live to two track recorded album Target. This is the title track Target from that Atlantic album.
this video i’m …
this video i’m guessing is 1986
I wonder when this …
I wonder when this was first recorded?
me gusta mucho….. …
me gusta mucho………
muy …
muy bueeeeeeeeeeeeno,yea…
Wow…
Awesome pop …
Wow…
Awesome pop sax.